Posted by Zac Shaw on Jan 3, 2010 in Blog | 674 comments
In the summer of 2009, Ford Motor Co. announced a contest in which 100 “social media mavens” would win a brand new 2011 Ford Fiesta and free gas for six months. The winner would go on to film themselves on a series of missions set up by the company.
Thousands of candidates submitted their entry video on YouTube explaining why they should win the Ford Fiesta Movement Contest. Our associates Kale Kaposhillin and Jordan Berkowitz encouraged us to submit our own video entry. We put forth the case that our band Dead Unicorn should get a Fiesta.
The video was shot by our production company Daring Handsome Killing Machine with Chris Rahm, Paul Heath, Joe Maggio and Sean-Paul Pillsworth. I produced, assistant directed, acted in, scripted and designed images for our submission video:
Three weeks later I got a call from Ford asking if I knew how to drive a manual transmission. I lied and said yes. After a couple more weeks, I got the call: we won the contest and the car! We were Ford Fiesta Movement Agents #93.
As part of winning, we went to Times Square in New York City and were interviewed by the New York Daily News alongside American Idol finalist Ace Young. After our photo shoot, I got to sing karaoke with him. Naturally I chose “Since You Been Gone” by fellow American Idol Kelly Clarkson. It was one of the highlights of my musical career:
For our second video, we stormed Coney Island with the U.S. Marines:
What did the Ford Fiesta Movement victory do for myself and my colleagues? We realized the following:
1) Being a social media superstar is a lot of work and generally best undertake by one or two people geeked to the max with limited social lives.
2) Broadcast-quality video production is a monumental amount of work too.
3) Our production company Daring Handsome Killing Machine rose to the challenge admirably. We received national exposure for a few day’s worth of work. Not coincidentally, we have gotten more serious since then, and are now working on a series of paying gigs.